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The Weaver Takes a Wife (The Weaver Series Book 1)

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It is easy to understand why Regency romances are so popular with women. Like Cinderella, Pamela, and Jane Eyre, the heroines in these books labor on, unappreciated, until a wealthy aristocrat happens along, recognizes their true worth, and whisks them off to his world of wealth, privilege, and abundant hired help. Although Sheri Cobb South calls her new novel a Regency romance, The Weaver Takes a Wife is not typical of the genre.

In this case, the heroine is an aristocrat, the daughter of a duke, while the hero is an orphan without a pedigree. All that Ethan Brundy has to recommend his as a husband is the wealth he derives from his textile mill in Lancashire. One of the reasons the characters are so believable is that…all of them speak exactly as they would have during the Regency period. South is at her best when she lets her characters reveal themselves in dialogue. Occasionally, the novel moves toward melodrama, but fortunately the author soon returns to her comic mode, or even to farce, as in the final episode. The Weaver Takes a Wife is really too good a book to be dismissed as a Regency romance; it deserves to be described as a novel of manners in the Austen tradition

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Haughty Lady Helen Radney is one of London’s most beautiful women and the daughter of a duke, but her sharp tongue has frightened away most of her suitors. When her father gambles away his fortune, the duke’s only chance for recouping his losses lies in marrying off Lady Helen to any man wealthy enough to take a bride with nothing to recommend her but a lovely face and an eight-hundred-year-old pedigree.

Enter Mr. Ethan Brundy, once an illegitimate workhouse orphan, now owner of a Lancashire textile mill and one of England’s richest men. When he glimpses Lady Helen at Covent Garden Theatre, he is instantly smitten and vows to marry her. But this commonest of commoners will have his work cut out for him if he hopes to win the heart of his aristocratic bride.

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